Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. * No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative * Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media * Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) * Uniquely discusses the areas of film, television and the internet within one book * No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative

In an increasingly "event-driven" cultural environment, film festivals have become indispensable venues for exposure and promotion. Yet are Cannes, Sundance, and Toronto being sabotaged by their own success? Do these festivals truly serve the needs of cinephiles, as well as the larger public? This multifaceted collection of essays, memoirs, and impassioned polemics explores the decades-long debate over these controversial questions. Featuring a distinguished array of critics and programmers, the anthology begins with the first appearance in English of Andr? Bazin's 1955 essay "The Festival Viewed as a Religious Order" and follows with essays examining the ongoing tension between market-oriented "business festivals" and festivals devoted to the needs of local audiences. Case studies assess the shifting fortunes of Asian film festivals, such as Hong Kong and Pusan, exemplary, cinephilic festivals, as in Vienna, Kino Otok, and Trieste, and one catastrophically mismanaged festival: Bangkok. The volume concludes with an exclusive interview with the fimmaker Atom Egoyan, whose career has been nurtured by his participation in a variety of international film festivals.

Hailed since its initial release, Film and the Anarchist Imagination offers the authoritative account of films featuring anarchist characters and motifs. Richard Porton delves into the many ways filmmakers have portrayed anarchism's long traditions of labor agitation and revolutionary struggle. While acknowledging cinema's predilection for ludicrous anarchist stereotypes, he focuses on films that, wittingly or otherwise, reflect or even promote workplace resistance, anarchist pedagogy, self-emancipation, and anti-statist insurrection. Porton ranges from the silent era to the classics Zero de Conduite and Love and Anarchy to contemporary films like The Nothing Factory while engaging the works of Jean Vigo, Jean-Luc Godard, Lina Wertmuller, Yvonne Rainer, Ken Loach, and others. For this updated second edition, Porton reflects on several new topics, including the negative portrayals of anarchism over the past twenty years and the contemporary embrace of post-anarchism.

Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. * No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative * Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media * Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) * Uniquely discusses the areas of film, television and the internet within one book * No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative

Hailed since its initial release, Film and the Anarchist Imagination offers the authoritative account of films featuring anarchist characters and motifs. Richard Porton delves into the many ways filmmakers have portrayed anarchism's long traditions of labor agitation and revolutionary struggle. While acknowledging cinema's predilection for ludicrous anarchist stereotypes, he focuses on films that, wittingly or otherwise, reflect or even promote workplace resistance, anarchist pedagogy, self-emancipation, and anti-statist insurrection. Porton ranges from the silent era to the classics Zero de Conduite and Love and Anarchy to contemporary films like The Nothing Factory while engaging the works of Jean Vigo, Jean-Luc Godard, Lina Wertmuller, Yvonne Rainer, Ken Loach, and others. For this updated second edition, Porton reflects on several new topics, including the negative portrayals of anarchism over the past twenty years and the contemporary embrace of post-anarchism.

Although there has been considerable interest and concern surrounding the implementation of the Common Core State Standards, there is almost no information regarding best practices for getting at-risk students to attempt the rigor embraced by the Standards. This text offers lesson plans, realistic advice, and explanations and descriptions focused on how to move academically discouraged students from failure to thrive to success with the Common Core.

Although there has been considerable interest and concern surrounding the implementation of the Common Core State Standards, there is almost no information regarding best practices for getting at-risk students to attempt the rigor embraced by the Standards. This text offers lesson plans, realistic advice, and explanations and descriptions focused on how to move academically discouraged students from failure to thrive to success with the Common Core.

Bearded bomb-throwers, self-indulgent nihilists, dangerous subversives--these characteristic cliches of anarchists in the popular imagination are often reproduced in the cinema. In "Film and the Anarchist Imagination," the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs.
From the early cinema of Griffith and Rene Clair, to the work of Godard, Lina Wertmuller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as "Zero de Conduite," "Tout Va Bien," and "Love and Anarchy." In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enrages of May 1968.

This collection of essays is the first major work in more than a decade to discuss the critical issue of wildlife contraception and the first ever to take up contraception-both theory and practice-for wild animals in captivity.

The authors, leading international experts on the subject, analyze the use of wildlife contraception for various animal populations, including nonhuman primates, ungulates, pinnipeds, cetaceans, and other mammals. The chapters examine and critique types of contraception, and their effects, and explore the best method for each situation.

Using the most recent data and findings, this comprehensive collection addresses problems related to unrestricted population growth, the ethics of wildlife contraception, and regulatory issues for wildlife managers, animal rights organizations, zoos worldwide, and anyone interested in the humane control of animal populations.

ZOO AND AQUARIUM BIOLOGY AND CONSERVATION SERIESMichael Hutchins, Series EditorThis series publishes innovative works in the field of zoo and aquarium biology, conservation, and philosophy. Books in the series cover a wide range of topics, including zoo- and aquarium-based field conservation, animal management science, public education, philosophy, and ethics.